Divination
Nathanael Homes (1599–1678) summarizes the diabolical art of divination, regarding what it generally involves and how it relates to the Devil, and lists 8 primary categories in which it is used.
Nathanael Homes (1599–1678) summarizes the diabolical art of divination, regarding what it generally involves and how it relates to the Devil, and lists 8 primary categories in which it is used.
Nathanael Homes (1599–1678) gives a comprehensive overview of witchcraft or divination, how it relates to the Devil and how it is practiced by those who are in league with him (whether explicitly or implicitly).
Nathanael Homes (1599–1678) explains how Satan employs various means to bewitch men and women from the truth, and lists several religious movements in particular as examples of apostasy.
Nathanael Homes (1599–1678) explains the nature and depravity of those who turn away from the Christian faith, and argues that we see in our present time the general apostasy that Scripture forewarns should come in the last days.
May the following user-created Google Map be of use for finding confessional Reformed congregations.
This movie is essentially a profane and blasphemous mockery of God and the Bible. The title of the film and name of its preeminent antagonist, Apocalypse, is taken from the biblical book of John bearing the same title, also called Revelation. Yet, instead of Christ (of whom John's book testifies), we have a mutant who calls himself YHWH and Elohim, who is considered to be "all-powerful," who aspires to be omnipresent, and who says he has returned to cleanse and save the world.
The violence in this movie was so problematic back in the 90's that during development, its own producers, actors, actresses, and even Jim Henson, the creator of the turtle suit animatronics, complained that the violent content was excessive. Yet, the violence in this movie pales in comparison to what dominates movies, television, and video games today—how quickly has society fallen and continues to decay!
This movie perverts its audience's perception of true justice and righteousness by upholding 3 morally bankrupt candidates as the chief protectors of earth. Superman, who lives with Lois as an unmarried couple, is repeatedly referred to not only as a god, but as God, himself. Together with Batman—a sexually immoral habitual liar, blasphemer, thief, and lawless vigilante—and Wonder Woman, who claims to be an immortal goddess, this team is paraded as champions for good; yet in God's sight, they embody nothing but what is wicked and evil.
Matthew Poole (1624–1679) provides helpful insight regarding the question of whether or not one should give to the poor, in light of the fact that some merely pose as beggars, who are yet well off, and others ask for money to buy necessities like food, yet end up using it to indulge in sinful pleasures, instead.
The only thing fantastic (unreal) about this group of superheroes is the facade that they are a force for good, because each is portrayed as impenitent, deceptive, immoral, and profane.